02-21-14 (update)
These links lead to my current portfolios and information about them. If you have any questions please feel free to send me an email.
I am continuing to improve my new site hopefully making things much easier. I apologize for any inconveniences. Thanks for visiting.
breakenterhuntgather
portfolio
about
observing liberty
portfolio
about
Mammals at the beach
portfolio
These links lead to my current portfolios and information about them. If you have any questions please feel free to send me an email.
I am continuing to improve my new site hopefully making things much easier. I apologize for any inconveniences. Thanks for visiting.
breakenterhuntgather
portfolio
about
observing liberty
portfolio
about
Mammals at the beach
portfolio
about
In Step
portfolio
about
After 10 years of photographing weddings in a candid style I became interested in street photography. It seems to be a combination of some of my current landscape concerns along with trying to get me into a position that locates people in positions I find pleasing as they visually interact with the landscape. working portfolio flickr
plane encounters
portfolio
about
fencing flora
portfolio
about
Effigies (2004-)
portfolio
about
Photographer's Pencil (drawings:1997-2000)
portfolio
about
Particle Pool (1994-2001)
portfolio
about
Incidents & Intersections (1983-)
portfolio
about
Excavation (1977-1983)
portfolio
about
arrivals & departures 2013-
working portfolio flickr
about
Leela 2005-
working portfolio at flickr
about
Current b&w 1994-
working portfolio at flickr
about
Still Remains 2005-
working portfolio at flickr
about
PAINTINGS (1992-2000)
portfolio - not shown at this time
about
This group includes both mixed media, works on paper and paintings on canvas. They as the drawings, were made to aid in loosening and further informing my photographic work. At the time I begun these paintings I felt photography was not giving me the visceral or emotional impact I sought at the time. In addition I really felt a strong attraction to the surfaces of paintings and that language mostly is non existent in photographic prints. When I stand next to a painting (particularly modern ones) I often want to inspect them with my hands in addition to my eyes. Sculpture is almost irresistible in this regard but unfortunately I know better. I wanted a heavier hand so-to-speak with a more blatant emotional energy and wanted to shake my photographic history somewhat. These were the first paintings I had made while not pursuing a formal education other than some I had made during my childhood.
In Step
portfolio
about
After 10 years of photographing weddings in a candid style I became interested in street photography. It seems to be a combination of some of my current landscape concerns along with trying to get me into a position that locates people in positions I find pleasing as they visually interact with the landscape. working portfolio flickr
plane encounters
portfolio
about
fencing flora
portfolio
about
Effigies (2004-)
portfolio
about
Photographer's Pencil (drawings:1997-2000)
portfolio
about
Particle Pool (1994-2001)
portfolio
about
Incidents & Intersections (1983-)
portfolio
about
Excavation (1977-1983)
portfolio
about
arrivals & departures 2013-
working portfolio flickr
about
Leela 2005-
working portfolio at flickr
about
Current b&w 1994-
working portfolio at flickr
about
Still Remains 2005-
working portfolio at flickr
about
PAINTINGS (1992-2000)
portfolio - not shown at this time
about
This group includes both mixed media, works on paper and paintings on canvas. They as the drawings, were made to aid in loosening and further informing my photographic work. At the time I begun these paintings I felt photography was not giving me the visceral or emotional impact I sought at the time. In addition I really felt a strong attraction to the surfaces of paintings and that language mostly is non existent in photographic prints. When I stand next to a painting (particularly modern ones) I often want to inspect them with my hands in addition to my eyes. Sculpture is almost irresistible in this regard but unfortunately I know better. I wanted a heavier hand so-to-speak with a more blatant emotional energy and wanted to shake my photographic history somewhat. These were the first paintings I had made while not pursuing a formal education other than some I had made during my childhood.