WHERE I STARTED & WHERE I AM NOW (2005):
What
is interesting to me can be seen in this image and in
the opening images of EXCAVATIONS. In these images one can find early
threads to much later bodies of work that evolved many years later in
PARTICLE POOL (1994 to 2001) and LEELA (2005-). This particular image
was made in 1977 at a stage where I understood little about the camera's
multiple muscles and had not yet explored any serious photographers
work. Which brings up an observation of an ongoing debate in artistic
circles, is it better to go it alone and work without respect to the
past (study art history) or risk recreating the wheel.
What
would (the above) later bodies of work look like, would they have come
sooner, would they be more or less effective had the artist not begun
his investigation of art history? Without a study of art history would
they even exist?
Here a question
is posed rather than an answer given. Art provides no answers but poses
many questions, particularly of the unseen (meditate through the
layered veils of Cezanne or feel God in Van Gogh). When your ego comes
back in control and tells you it sees paint, you must let go again.
Art for me thrives in small dark overlooked corners where discoveries seem fleeting and are hard won but nothing is ever finished or cornered, authentic journeys are necessary but not necessarily seen, and things out of reach always call and flicker in a darkness one can never fully illuminate. If one could we would lay, rest and have lost all curiosity.
Art for me thrives in small dark overlooked corners where discoveries seem fleeting and are hard won but nothing is ever finished or cornered, authentic journeys are necessary but not necessarily seen, and things out of reach always call and flicker in a darkness one can never fully illuminate. If one could we would lay, rest and have lost all curiosity.
When my eyes opened magic & fear or photo 101
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